State: SAVED

Parish Center and Protestant Church Sonnenberg

The complex is a great example for the symbolic power of Brutalism. Opening up only toward the courtyard, the church’s monolithic façade appears like a mountain range from the outside. The clustered roof structure gets lower towards the courtyard…

Carpenter Center, Harvard University

A late piece by Le Corbusier. Here one could ask whether there is any substantial aesthetic or qualitative difference to the other brutalist university builds of the time, or whether Le Corbusier should not simply be viewed alongside the mass of compara…

Jonah Church (Jonakirche)

The small church is designed for only 110 seats. Striffler’s design is reminiscent of a tent structure rendered in originally exposed concrete. The effect is achieved through the floor plan and the steeply gabled roof. Next to the church is a rectangu…

Triangle Housing

With its triangular shapes the complex structure is known as „étoiles d´Ivry-sur-Seine” (stars of Ivry-sur-Seine). Being vocal communists, the architects tried to address people’s social needs and complex relationships. To achieve this, the proj…

St. Matthew Church (Matthäuskirche)

The refined use of concrete is still strongly influenced by the churches Auguste Perret designed. At the same time, a fledgling anonymous volume can be discerned here. This places it between the Classicism of the 1920s and the sober, brutalist concrete …

Lecture Centre and Library, University of Cologne

In 1960 Gutbrod won the competition for the lecture hall. Originally, there were three auditoriums  built on stilts. Later on three more halls had been added on the ground floor. The foyer opened to all sides, integrating the building into the path sys…

Sky House

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Ulm School of Design (Hochschule für Gestaltung)

Could one not say that brutalism was invented in parallel in Great Britain and Baden-Württemberg? Max Bill’s programmatic building celebrates the combination of concrete and unplastered brick walls with a similar “rhetorical” surfeit as the Smith…

Church of Christ the King (Christkönig)

Planned as the second Catholic church in Saarlouis in response to the growing population. It is characterized above all by the irregular concrete blinds that also double up as supports.

Kyoto International Conference Center (KICC)

Otani’s design won the major competition, for which there were almost 200 entries. Otani chose a trapezoidal shape as the basis for the huge conference center. The shape is repeated on different scales and thrusts throughout the complex. The different…

Post Office

The exposed concrete building was realized as part of an extensive urban renewal plan for Agadir supervised by Zevaco and others following a major earthquake in 1960. It is part of the architectural ensemble around the central square.

Seidler House

Harry Seidler worked together with Marcel Breuer in New York for some time. Despite being located in an established suburb less than 15km north of Sydney, the Seidler House is hidden in a steep valley ensuring privacy and seclusion. It features split le…

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i
To represent a masterpiece of human creative genius. 260 ii
To exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design. 474 iii
To bear a unique or at least exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared. 499 iv
To be an outstanding example of a type of building, architectural or technological ensemble or landscape which illustrates (a) significant stage(s) in human history. 633 ix
To be outstanding examples representing significant on-going ecological and biological processes in the evolution and development of terrestrial, fresh water, coastal and marine ecosystems and communities of plants and animals. 135 v
To be an outstanding example of a traditional human settlement, land-use, or sea-use which is representative of a culture (or cultures), or human interaction with the environment especially when it has become vulnerable under the impact of irreversible change. 167 vi
To be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance. (The Committee considers that this criterion should preferably be used in conjunction with other criteria). 252 vii
To contain superlative natural phenomena or areas of exceptional natural beauty and aesthetic importance. 148 viii
To be outstanding examples representing major stages of earth's history, including the record of life, significant on-going geological processes in the development of landforms, or significant geomorphic or physiographic features. 96 x
To contain the most important and significant natural habitats for in-situ conservation of biological diversity, including those containing threatened species of outstanding universal value from the point of view of science or conservation. 166

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