Year: 1968

Guido di Tella Residence

The commission came from the art collector and maecenas Guido di Tella. Project collaborators were Luis Hevia Paul and Irene van der Poll. The house was built with several ramps tunnels. The only demand by the owner: an isolated studio, that could be…

Hannah Playhouse (Downstage Theater)

The Hannah Playhouse was built to house Downstage Theatre Company with funds from a bequest provided by the late Sheilah Winn OBE (1917-2001). The auditorium, into the design of which Downstage Theatre designer Raymond Boyce (MBE Hon LitD) had substanti…

Creina Hotel

For this hotel, Ravnikar plays with sculptural contrasts. The massive cantilevered structural elements rendered in exposed concrete are evocative of the machine aesthetics of Brutalist megastructures. On the other hand the detailed decorative treatment …

City Hall

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Centraal Beheer

Hertzberger’s designs tend to be regarded as “structuralist”. The interior reveals all the characteristics of Brutalism, however: the materials and the structure are direct and uncovered.

City Hall

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i
To represent a masterpiece of human creative genius. 261 ii
To exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design. 480 iii
To bear a unique or at least exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared. 514 iv
To be an outstanding example of a type of building, architectural or technological ensemble or landscape which illustrates (a) significant stage(s) in human history. 642 ix
To be outstanding examples representing significant on-going ecological and biological processes in the evolution and development of terrestrial, fresh water, coastal and marine ecosystems and communities of plants and animals. 137 v
To be an outstanding example of a traditional human settlement, land-use, or sea-use which is representative of a culture (or cultures), or human interaction with the environment especially when it has become vulnerable under the impact of irreversible change. 172 vi
To be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance. (The Committee considers that this criterion should preferably be used in conjunction with other criteria). 256 vii
To contain superlative natural phenomena or areas of exceptional natural beauty and aesthetic importance. 151 viii
To be outstanding examples representing major stages of earth's history, including the record of life, significant on-going geological processes in the development of landforms, or significant geomorphic or physiographic features. 98 x
To contain the most important and significant natural habitats for in-situ conservation of biological diversity, including those containing threatened species of outstanding universal value from the point of view of science or conservation. 168

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