Korea Institute of Science and Technology

The building exhibits Japanese Brutalist tendencies. In particular earlier designs by Kenzo Tanke seem to have inspired Geun, who had studied architecture in Japan. Sculptural exposed concrete dominate the sculptural appearance of the building.

Migros

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Eros House

An office block with a strongly modelled façade of concrete and glass, fronted by a separate stair and lift tower with the building’s entrance at its base. The first floor level is a parking deck with a ramp at the rear, and underneath this at …

Ungers Residence and Office Building

The first in a series of three buildings, each intended as a manifesto, that O.M. Ungers designed for his family (and in this case for his company, too). It sparked a debate in Germany: Ungers was accused of creating a house that was too “Expressionis…

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i
To represent a masterpiece of human creative genius.
261
ii
To exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design.
480
iii
To bear a unique or at least exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared.
514
iv
To be an outstanding example of a type of building, architectural or technological ensemble or landscape which illustrates (a) significant stage(s) in human history.
642
ix
To be outstanding examples representing significant on-going ecological and biological processes in the evolution and development of terrestrial, fresh water, coastal and marine ecosystems and communities of plants and animals.
137
v
To be an outstanding example of a traditional human settlement, land-use, or sea-use which is representative of a culture (or cultures), or human interaction with the environment especially when it has become vulnerable under the impact of irreversible change.
172
vi
To be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance. (The Committee considers that this criterion should preferably be used in conjunction with other criteria).
256
vii
To contain superlative natural phenomena or areas of exceptional natural beauty and aesthetic importance.
151
viii
To be outstanding examples representing major stages of earth's history, including the record of life, significant on-going geological processes in the development of landforms, or significant geomorphic or physiographic features.
98
x
To contain the most important and significant natural habitats for in-situ conservation of biological diversity, including those containing threatened species of outstanding universal value from the point of view of science or conservation.
168