The School is an extremely early South American example of the extensive use of exposed concrete. The layout permits the rooms to be used flexibly. Some of the structures recall factory buildings, in other words anticipating the anonymous formal language of the Smithsons. To improve access routes some of the buildings rest on supports.
Architects
| Name |
|---|
| Julio Vilamajó |
Nearby
Sites
| Name | Since | Distance | |||
|---|---|---|---|---|---|
| Teatro Solís | 2019 | 3.4km | site_ao | ||
| Mausoleo de Artigas | 2019 | 3.3km | site_ao | ||
| Estadio Centenario | 2019 | 2.9km | site_ao | ||
| Fountain of Locks | 2019 | 2.5km | site_ao | ||
| Cafe Brasilero | 2018 | 3.8km | site_ao | ||
| Bulevar Complex | 4.2km | site_brutalism | |||
| Banco de Prevision Social | 1957 | 2.2km | site_brutalism |
About the source: SOSBrutalism
SOSBrutalism is a platform for a campaign to 'save our beloved concrete monsters'. You can contribute to the content SOSBrutalism provides, on their website.